![]() ![]() Most musical biopics chart both highs and lows, but The Runaways, about the short-lived but influential all-girl rock band, is a catalog of horrors about being a young woman in show-biz. His cult grew even bigger following Jeff Feuerzeig's gripping 2005 bio-doc, which brings emotional context to Johnston's nakedly sincere lyrics. With his warbly voice and hand-drawn album art, the late Daniel Johnston developed a fanbase that included Kurt Cobain, Butthole Surfers and Sonic Youth. He never found fame during his short life and is admittedly still pretty obscure, so this film functions as much as a primer as a biopic. Streaming on TubiĪnother of director Ethan Hawke's portraits of underappreciated artists and their processes (see also: Seymour: An Introduction), this time dramatizing the final years of country musician Blaze Foley. This doc explores why it took so long for them to take off, and how they influenced everyone from KISS to R.E.M. Now they're canonized, but there was a time when power-pop pioneers Big Star were the sort of band that only your coolest friend's older brother knew about. This doc finally gives Death its due, showing how they found their sound and accidentally prefigured the rise of punk. The Hackney brothers of the '70s band Death were anomalies in their hometown of Detroit: a trio of Black teenagers making fuzzy, furious hard rock in the birthplace of Motown. Often called the real life This Is Spinal Tap, this documentary follows the aging rockers on a disastrous European tour, and it's often as funny as any scripted comedy. In the headbanging '80s, Canadian hair metal band Anvil had the shredding stage antics that could have made them the next big thing. Here are some cinematic deep cuts about unfairly overlooked artists you should consider streaming. But most remain relatively unknown, just like their subjects. Some of those films, like the Oscar-winning Searching for Sugar Man and 20 Feet from Stardom, give their central musicians an extra boost of notoriety. Despite the nasal swabbing, mask wearing and obsessive hand washing, the whole endeavor has given us a much-needed sense of normalcy.M ovies about beloved musicians are a dime a dozen, but sift through the earnest biopics and career-spanning documentaries and you'll discover a storied subgenre: movies about great musicians who deserve more credit than they get. It has been a logistical challenge pulling this off while carefully observing restrictions and protocols. ![]() We wanted to play a proper show with our band - the one we had spent so much time preparing in January. We wanted to do more than an acoustic set from home. “Once live music was effectively canceled, Patrick and I started working on a way to make it up to ourselves, our band, and to you. “This announcement has been a long time coming,” says Moore. Tickets for “live: in the void” are on sale now via. Meanwhile, “live: in the void” will feature direction by Tennis’ longtime visual collaborator Luca Venter, and find the duo joined on stage by their band for the first time since quarantine began. This song is really just me carrying a torch for her.” I feel a strong pull toward women whose creative contributions were cut short by their untimely deaths - Laura Nyro, Judee Sill, Trish Keenan, and of course Karen Carpenter. The result is something that doesn’t really sound like Tennis or the Carpenters, which we really liked. This led us to take a lot of liberties, including writing a bridge that doesn’t exist in the original. ![]() Our goal with ‘Superstar’ was to re-cast her voice in the context of a different band in a different era. “Her voice is so distinctive, I can always imagine her interpretation of a song regardless of genre. “Karen Carpenter is a major influence on my writing,” says Moore. It follows this past February’s remarkable fifth studio album Swimmer, and sets a tone for Tennis’ “live: in the void” livestream performance this Saturday (October 17). Tennis’ “Superstar” takes its cue from The Carpenters’ version, much like the beloved Sonic Youth cover from ’94, and was produced by the duo’s Patrick Riley and Alaina Moore in their hometown of Denver. So when we came across Tennis‘ new interpretation of Delaney & Bonnie’s classic single “Superstar,” made famous by The Carpenters in the early-’70s, it seemed like a perfect match. Some covers are more obvious than others, and some just feel like destiny. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |